This film takes seven self-contained erotic stories and uses them to create a feature-length film, in accordance with Aristotle’s dramatic principles of the unity of time, place and action, with a final reversal. The filmmaker creates a sort of modern Decameron from intimate moments in the lives of five heterosexual couples, as well as one female and one male homosexual couple. The voice of the erotic is the voice of the indirect; therefore the stories do not focus on explicit sex. Instead, the filmmaker explores the intriguing nature of human relations and captures the fleeting moments that communicates erotic tension so powerfully – in the same way that a hastily drawn sketch in a life drawing class can capture the essence of the model. These film narratives are impish, witty and bitter at the same time. The end result of their structure, style and expression is not a mosaic, but rather a unique movie entity.